eminence speaker combinations

And hey,when you’re achieving meaty, touch-sensitive tone with so little effort, who cares about the purists and snobs?Even an open-backed, American style 1x12 combo will take on a little Marshall-esque flavor when you swap, for example, the Jensen, Utah or CTS (or similarly styled) American speaker for, say, a Celestion G12H-30, a WGS ET65, an Austin Speaker Works KTS-60, or any of several selections from Eminence’s Redcoat series.. Celestion Vintage 30 vs Fender Eminence Stock Speaker This video is a comparison between two well known speakers.

eminence speaker combinations

This was the JTM45 tone of countless guitarist’s dreams I couldn’t stop playing the thing.. If you’ve ever changed the speaker (or multiple speakers) in your combo or extension cab to something of a significantly different style, you already know how significantly that easy swap can alter your tone.. As part of the whole deal, consider the cab’s construction, too As I’ve already hinted, the closed-back cab is a big element in “the British sound,” helping to ramp up lower mids and maximize low-end thump.. The Fender Eminence was out of my Blues Deluxe Amplifier speaker and the Vintage.. The degree to which the right speaker can affect a startling sonic makeover first really hit home for me about 20 years ago: I had picked up an old 15-watt Newcomb portable tube gramophone player at a pawn shop—the kind with the fold-out lid with a single 12-inch speaker and two 6V6s in the output section—with the intention of modding it into a 5E3 guitar-amp circuit (aka tweed Fender Deluxe).

eminence speaker combinations

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Rigging a ¼-inch jack for a guitar input to test it out resulted in a pretty raw sound as it sat, pre-modification, but it showed potential. software convert video flv to mp4 free download

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Or, turn your Deluxe Reverb toward Vox territory with a 65-watt Scumback Scumnico, a 30-watt Weber Blue Dog, or a Celestion Alnico Blue (watch that 15-watt rating on the latter!)Going the other direction, if you’ve got a head or combo with EL34 or EL84 output tubes that seems predisposed to churning out British-blues riffs, an open-back cab with a pair of Jensen P12Qs or Avatar’s new Hellatone SA-40 American-style Alnico speakers might Yank it up good and proper for that honky tonk gig you just landed.. Sure, the Marshall purists might scoff at your rig, but crank it up, close your eyes, and hit the strings with some attitude, and it’s likely to be a sound you could imagine Paul Kossoff grooving on. Unduh 1000 Font Dollars Australiens En Euros A Dolares Google

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Oct 09, 2011 Eminence speakers for metal, plus speaker combinations Discussion in 'Gear & Equipment' started by RichIKE, Oct 7, 2011.. It’s no longer much of a secret that swapping speakers can yield one of the fastest and most comprehensive tone overhauls a guitarist can achieve, yet plenty of players still don’t give adequate thought to their speakers as a significant means of tone tweakage.. Let’s consider it, though, from the perspective of intentionally seeking a British-voiced speaker to obtain a classic-rock sound from a traditionally American amp, for example, or an American-voiced speaker to make your Vox-style amp mimic a blackface Deluxe or some such amp.. Post 5E3 conversion, the setup sounded even better The old scrapyard amp’s simple circuit, vintage paper-wound output transformer, and roaring 6V6 goodness had something to do with it, sure, but the closed-back 4x12 cab was largely responsible for making it sound British.. Just for kicks, though, I connected the thing to a mid-’70s British HH 4x12 cab with four original Celestion G12-50 speakers and fired it up, and… Wow! I was floored.. Or if you’ve got a little more room to maneuver, stick your silverface Princeton or Vox AC4 into a closed-back 2x12 with Greenbacks or Scumback M75s or the like, and see where that gets you.. We don’t all have room for a hulking 4x12, but even a closed-back 1x12 with a single Celestion G12M Greenback-flavored speaker and any of a number of smaller to medium-wattage tube amps plugged into it will often get you close to faux-Marshall territory, for home recording and small gigs at least.. Reverb reader Jonathan Ford got in touch recently to say that he had recently been turning to the speakers as an efficient and relatively affordable means of running the gamut of achieving from Marshall-to-Vox-to-Fender voicings from his amps, and it occurred to me that this would be an interesting angle from which to discuss speaker swaps in this blog. cea114251b December 31st, 1969

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